Iraqi Kawliya and Khaleeji Dance

Last Updated on February 1, 2024

I have written about these two different forms of dance in the same post, because, although they are different, they have some elements in common.

They come from two regions that are not too far from each other and also they have some movement patterns in common, such as the tossing of the head and spinning of the hair.

This movement seems to be also common to many Middle Eastern and Northern African trance dances, such as zaar from Egypt, and those dances that may have their roots in trance dances, such as Moroccan shikhat.

Shirley (pictured above, who teaches in Newport, Wales) has summarised the main differences between these two genres very well, saying: “Though both styles involve hair tossing, they are radically different.

Khaleeji style is done in a thobe dress which is used as a vital prop in the dance.

Khaleeji is very fluid and involves a simple drop step with swaying symbolic hand gestures. Iraqi Kawliya has much faster hair tosses from back to front with faster footwork.”

Kawliya from Iraq

I have become aware of this particular form of Middle Eastern dance from Iraq called Kawliya (also known as  Kawleeya), through Yutube videos where Daila performs this genre.

Daila is an international award-winner professional belly dancer based in the Czech Republic. You can see an example of her performance below.

When I first saw one of these videos, I was amazed. Daila is a great bellydancer and moves in ways that seem almost humanly impossible!

As for the Kawliya dance, it seems to be characterized by the shoulder shimmies and the head rolls and energetic hair flipping. Kawleeya is a gypsy group in Iraq and Kawleeya literally means Gipsy.

An Iraqi friend of mine, Jeanan, told me that, before the war, Kawleeya was a disgraceful dance.

It was only performed by common people, by gypsies or by prostitutes (many of which in Iraq were Kawleeya), hence the bad reputation of this dance.

However, as my friend tells me, after the war things have changed and the gypsies rose to become artists that represented Iraq.

Now, all Iraqi women, according to my friend, want to dance like this and dance the Kawleeya way at social events.

Personally, I like this dance and I think it is beautiful to watch, even though I would never attempt the energetic hair flipping for fear of injuring my neck.

The ambivalent attitude that Iraqis have towards this dance seems to have parallels to the attitude of Moroccans towards shikhat or of Egyptians towards belly dance performers.

On one hand, the dancer’s profession is seen as not worthy of respect and dancers, in some cases, are outcast.

On the other, there is pride in these dance forms that belong to their cultures, thus forming part of their cultural identity.

I have posted one of Daila’s Kawliya performances above. Everybody I spoke to agrees that Daila is an accomplished dancer; however, some people think that the way she performs is not authentic.

I personally like the way Daila dances, but she is a professional belly dancer based in Europe, hence she performs for the stage and her dance may be influenced by various styles she is accomplished in.

The way Kawleeya people perform maybe be a bit different, but I have never had the chance to see them dance so I cannot tell.

After all, all dance forms, when they are transmitted between different cultures, go through adaptations and changes.

Please feel free to comment with your opinions and give some information in case you know more about Kawliya.

Update on Dancing Kawleeya Style

Since I first wrote this post, I had the chance to take part in a workshop held by Nawarra, during her Funoon dance camp festival in Fez.

Until then, I had not had the chance to try this dance and I had not seen any workshops anywhere in the UK. However, now it seems to be more and more popular.

The workshop was great and a lot of fun and Kawleeya is indeed very physically demanding.

If you have the energy though and if you do not have any problems with your neck (because of the very energetic head tosses involved in this dance), then it is worth trying.

Khaleeji from the Persian Gulf

Khaleeji dance (with Khaleeji meaning ‘of the Gulf’) is a dance style typical of the Arabic peninsula and the Persian Gulf including Saudi Arabia, Bahrain, Arab Emirates, Qatar, Yemen, Kuwait, and parts of Iraq.

This type of dance is completely different from the type of dance most commonly referred to as belly dance, which is Egyptian, Lebanese, and Turkish styles.

An authority on this Middle Eastern dance style is Kay Hardy Campbell, a Boston-based writer, dancer, and musician, who specializes in the Middle East and Saudi Arabia.

Khaleeji Dancer’s Costume

Dancers of Khaleeji wear a characteristic piece of clothing, called thobe nashal (a sort of long, very full, and wide caftan, often richly embroidered).

The thobe nashal is usually in a brilliant colour and the dancer does not wear a hip scarf or belt.

Because of its shape and its ample sleeves, the thobe nashal is also used as a prop by the dancer, who holds the dress up in front of her like an apron and makes it billow whilst her pelvis undulates gently to R-L-R, L-R-L stepping patterns.

Also, the wide sleeves of the thobe nashal can be held up to frame head slides or used as a veil.

Khaleeji Movements

Khaliji style Arabic dance involves a lot of focus on footwork, spins, and a lot of movement in the torso and upper body. Also, while performing Khaleeji, dancers toss their long unbound hair from one shoulder to the other.

Khaleeji Music and Rhythms

Khaleeji rhythm is different from the classical Middle Eastern rhythms and it is characterized by heavy rolling beats.

One of the most common khaleegy rhythms, also called Saudi rhythm, is a syncopated medium speed 4/4 rhythm with heavy accents (dums) on beats 1, “2.5”, 4, with the “.5” being the rest between the major beats in the measure.

The instruments most commonly used for Khaleeji style music are frame drums such as tars and bendirs, while the ud is used as the primary instrument.

A CD called Khaliji (by RT Productions) has been released by Naser Musa and Souhail Kaspar, two musicians specializing in Arabic music.

The following two tabs change content below.

• Bio
• Latest Posts

Dr Valeria Lo Iacono

Dr Valeria Lo Iacono is a belly dancer and a dance researcher with a PhD in dance and heritage. Valeria also teaches and performs as a belly dance but also enjoys learning ballet, jazz dance and other dance genres.

Latest posts by Dr Valeria Lo Iacono (see all)

• Belly Dancing over the Age of 40, 50 and Beyond - January 21, 2024
• Health Benefits of Belly Dance - January 20, 2024
• 10 Countries for Learning Belly Dance - January 18, 2024

Sharing is caring!